After four weeks, we will be saying so long to Get Low. We are thrilled to say that Get Low has been our biggest hit so far - thanks to all of you who came to see the film! (Actually, if you happen to read this blog tomorrow, you still have one more chance to see it - LAST CALL Thursday 9/23 @ 5:40).
On the other hand, if you are ready for something new, here we go (opening Friday, September 24):
If you have ever dreamed of becoming a spy, were a die-hard Alias fan, or are a history buff, FAREWELL (l'affaire Farewell) should be right up your alley. Farewell is the formerly top-secret true story of two men, a Frenchman and a KGB colonel, who smuggled Soviet secrets to the West and helped, as the film's foreword phrases it, put an end “to a world dominated by two opposing powers.” Todd McCarthy (Variety)said about the film, "Astonishing…like any good thriller, this is the story of deceptions within deceptions. It’s juicy, fascinating stuff." If you need further evidence check out Lawrence Toppman's review in The Charlotte Observer. Are you intrigued? (trying to throw as much spy lingo in here as I can), check out the trailer below:
Farewell will only be screening thru September 30, so don't miss it..but please leave your night-vision goggles at home.
On the other screen we are showing another side of history with MAO'S LAST DANCER - a drama based on the autobiography by Li Cunxin. At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he fell in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet. Mao's Last Dancer is also RATED PG, so moms and dads it is truly a family-friendly film. It screened at RiverRun this past year to rave reviews and Mark Burger agrees in this week's Yes!Weekly review. Check out the trailer below and then save a spot on your calendar to come see the film:
So there you go...hope you're ready for your history lesson.
Quick - what's more awesome than free movies? Free movies with a little bit of conscience! We were lucky to be approached by Go Expo, happening this Saturday, September 25th at the Benton Convention Center, to program some educating entertainment. Curator Lawren Desai has picked four films that should entertain and give you a little something to think about. No Impact Man and So Right, So Smart will screen at a/perture at 10 a.m., and The Greening of Southie and The End of Suburbia will be showing on the green screen at the Go Expo at 3 p.m. in the upper level of the convention center. More information about all the screenings can be found on the movie portion of Go Expo website, and the trailers are below!
If there's anything I've learned from my almost three year old son, it's that whining, kicking, and screaming can eventually get you what you want. So after a year of repeatedly holding my breath until my face turns blue, Lawren finally agreed to let me accompany her to Toronto for a portion of the trip. Baby steps. I'll work on the whole time next year.
She's been MIA for awhile, but we'll both be back in time for a full slate of movies at a/perture this weekend, as well as our previously mentioned shorts duringRock the Block with Chris Paul. People are loving Get Low and Cairo Time, so if you've missed out don't let these escape without catching them. To bring back the rarer than rare quadruple feature, we've got two documentaries coming in, Jean-Michel Basquiat: The Radiant Child and Winnebago Man. Both films about interesting people, The Radiant Child is about artist Basquiat, as told by friend Tamara Davis, and Winnebago Man is about reluctant internet sensation Jack Rebney.
Some of you may recognize the Basquiat film, as it has played at a/perture, but as part of the RiverRun International Film Festival. Mary Dalton, head of the Documentary Film Program at Wake Forest University, saw the film then and wrote this review. Local critic Matthew Lucas, who writes for the Davidson County paper The Dispatch, as well as on his own blog (which I highly recommend checking out on a regular basis - he sees A LOT of films), had both docs on his not so mainstream top 10 movies of the summer list. Stephen Holden of the New York Times seems to share in both of our local critic's enjoyment, in his Winnebago review here and his Basquiat review here. As the trailers below confirm, sometimes the truth can be more interesting than fiction.
After a week of holdovers, Lisbeth Salander must make haste and get ready to kick a hornet's nest, so we bring in Cairo Time to move in next to Get Low. Almost every review I read had to make mention of making time to see Cairo Time, and while true, the cheesiness overpowered my normally sharp wit, resulting in a less than stellar subject. Please forgive me.
Let's focus on the more important thing, the movie, the actors, and the scenery. Like our recent smash I Am Love, the geography and scenery are more than an afterthought, and is almost another character in the story. Bring in Academy Award nominee Patricia Clarkson and Lawren's new crush Alexander Siddig and you just have to make time to see this movie. Drats, I did it too. Here's a review from someone who was able to eschew the cliche, Ann Hornaday of the Washington Post. And the trailer as well.
So one of the great things about our location on 4th Street is that we get to be front and center for this year's annual ROCK THE BLOCK on September 18. Because we want to celebrate with all the other 29,995 attendees, we are opening up our doors (for a small entrance fee of $1 for adults and $0.50 for kids) and screening two very special shorts, running continuously ...all..day..long (okay maybe just from 11am to 5pm). We hope to get some new folks in the door and provide a respite from all the craziness happening out on the street. Here's the scoop on the films:
short #1: Way Home - a film by Erick Oh
Way Home is a story featuring a fly, a dung beetle, and a farmer. Enough said...this film is animated, kid-friendly and 9 minutes long. To check out the trailer please visit Erick's cool website.
short #2 - Un Certain Regard a film by Geraldine Maillet and produced by Winston-Salem's very own Iana Dontcheva!!!
Un Certain Regard can be summarized in the following way: summertime. a city park. a man locks eyes with a mysterious woman. a seduction game begins, both comic and dramatic. This film is 7 minutes long and though more for adults it is definitely kid-appropriate.
Considering this is the extent of our participation last year,
we've come a long way and we are very excited to be in business for this annual event. Our regular films will pick back up after 5pm on 9/18 so you really could spend all day downtown at RTB if you wanted to. Who knows maybe we can even convince Chris Paul to come check out a flick?
Kristen Bell. David Cross. Paul Rudd. Jonah Hill. Tim and Eric from the Tim and Eric Awesome Show. Winston-Salem, you can join the aforementioned celebrities and the masses of people who have fallen under the spell of the trainwreck awesomeness that is The Room, screening at a/perture this Friday, September 3rd at 10:20 pm. It's like the film version of reading this blog! This event should play more like Mystery Science Theater 3000 than Masterpiece Theater, so come prepared to do a little heckling and just have a good time. Looking for some background and guidelines for watching this? Check out the Entertainment Weekly article about the cult following here, and then head over to The Onion to study up on their viewer's guide. And here's the trailer to help you decide if you're ready.
If you're up to the challenge, advance tickets are available at the box office (regular prices - $8.50 for adults, $7.00 for students/seniors...although by the looks of this, most of those $7 tixs will not be sold to our more experienced audience members...).
It seems that the word is already out about our latest film to open, Get Low. You all came out in droves this past weekend, restoring my faith in humanity. The other good thing about this movie...I actually got to contribute something cool - according to Lawren. While I said a few months back that the only thing Dalton, Georgia was good for was carpet, a fellow Catamount has made me a liar. Lori Beth Edgeman has been acting for over ten years (check out her IMDB page), actually has a role in Get Low, and even after reading the blog agreed to do a little Q&A with us.
My little sister is a fellow alumnus of the Dance Theater of Dalton, so I know all too well the annual performance of The Nutcracker, and understand you had the honor of being the first “Clara” in Dalton’s history. Did that experience, along with multiple years of being on stage help light the fire to get into acting?
I grew up on stage, performing at five years old as a singer. Being on stage has just been a part of me for so long, that dancing was just another thing that led me down the road. I ended up in NYC after graduation, thinking I would be a professional dancer, but I realized that it wasn’t going to happen. I came back to Atlanta and pursued college, took some acting classes in between, and worked on that craft. Doors started flying open for me during my first year in acting, and I was able to land a part in a Robert Altman film.
With a steady stream of credits dating back 10 years on your IMDB page, what has been your secret to continually snagging parts?
Steady growth, moments where it’s busier than others, but there are times where I was ready to quit. You have to stick it out there and hope something bites. It’s like a war out there searching for opportunities, you feel like you’re always putting on the battle suit. I am continually looking for opportunities to stretch and grow as an actress.
How do you keep yourself busy when you are not working with films?
I have a wonderful job teaching at the Dance Theater of Dalton, as a jazz instructor for company girls (in middle and high school) and also get to work with the younger girls. I also have a home studio where I do voice and acting instruction two days a week. I’m excited to be able to provide that opportunity in Dalton to kids, as I would have loved to have had that chance when I was younger. Working with kids, I am also able to use my degree in Education.
Any projects in the pipeline that we can get excited about maybe showing at a/perture?
I have a small role in a Robert Redford movie, The Conspirator. I was cast as a southern actress., but ended up being one of the Union supporters, which didn’t really work. Robert Redford came up to me and told me to “lose the accent”. They asked if I could do it, tried, and thankfully pleasantly surprised them, so that was nice.
In 50 words or less, describe the movie Get Low.
Amazing acting, beautiful cinematography, southern movie at its best, nails the understanding of the eccentricity of the characters.
In 10 words or less, convince our readers they should come see the movie this weekend.
Besides the stellar cast, everybody who was part of this film was amazing at what they were doing. Also, it’s a great opportunity to support the south.
I totally went over there – how about this? Because it’s really, really brilliant.
Tell us a little about your character and how she fits into the story.
Lucas Black runs the funeral home with Bill Murray. I play Lucas’s wife, helping to establish his back story as young husband/father. Friends with Sissy’s character as well, help develop that story as well.
I am sure you have been asked a million times now what it was like working with Robert Duvall, Bill Murray, and Sissy Spacek, among others, so I’ll flip it – how do you think they felt about working with you?
Who the heck knows! I hope they enjoyed my company and that I didn’t get in their way. I was amazed at how gracious they were and really sat back and enjoyed their craft.
I saw where you were able to attend the Toronto International Film Festival last year, as Get Low was one of the special screenings (2010 edition coming up in a few weeks!). What was that experience like? Out of curiosity, did your husband get to go? Just wanted a frame of reference for me being left behind (for the second consecutive year).
I was mostly the unknown, everybody was kind and gracious, which they didn’t have to do. I got to experience the parties and the red carpet - it was a fun celebration for all of us. After filming and hanging out in February and March to come together in September, and be bought by SPC a few days later, was amazing and well deserved for everyone. I actually went with my sister-in-law, so no help for you there.
Be honest, do you even remember who I am from Dalton, or did you immediately pick up the phone to get a restraining order when I blindly reached out to you?
I did not get a restraining order, but I did have to look you up. As a senior it's hard to remember the freshman, but when someone says they are from Dalton, I’m ready to help however.
Your thoughts on having a funeral party while still alive?
I think it would be kind of fun! Hope it’s not for Felix Bush’s reasons, but just to get together with all the people you love would be a blast.
We believe the children are the future, so we make every attempt to teach our staffers more than how to make perfect popcorn and scrape gum off seats (shame on you people who have never heard of wrappers and trash cans). I'm turning the blog over to our latest staffer to move on to other things, this time Eva Hill who is headed back to school at Elon University. However, as the old adage goes, this is more "see you later" than "goodbye", as she just couldn't get enough and will be back random weekends and holidays and we're hoping next summer. Who else is going to entertain us like this?
On to her own words (with possible editor comments in italics)...
This summer, I was given the opportunity to hold a part-time job at a/perture cinema, and with that opportunity, I developed an even greater appreciation of the film industry than I held before. Working at a/perture was not only a chance for me to learn more about film, but it also gave me insight into the theatre business and the distribution process.
As a Journalism major, this experience has provided me with an insight into various areas of communications, as well as press and public relations processes. I was able to get to know people who share my passion for film, and establish friendships with some very talented folks.
On a more academic note, working at a/perture introduced me to many possible careers in film that I had never considered. Being able to work with Lawren, who kept me informed with the film process, gave me insight into the business and allowed me to learn more about the financial aspects.
I thoroughly enjoyed my time at a/perture, and am very thankful that I had the chance to be an employee and work with such wonderful people!
I doubt I would have been able to have these valuable experiences at a larger, more commercial theatre. Since a/perture is an independent movie theatre, I was able to learn more about the film business, and the importance of being a part of the community.
I’m sure I’ll miss the friends I made and being surrounded by wonderful movies, but I hope to come back and work from time to time.
Also, I’ll go back to school having had a wonderful summer of films, friends, and cakeballs!
And Jigar is the coolest, funniest, smartest human being alive....it's really not fair to the rest of the human race.
Can we talk? about the new movies opening up this weekend as we get ready to start a new decade in this latest millennium at a/perture. I've littered the opening sentence with clues, and I imagine if you've ever watched the Oscars or read the most popular books in the last, oh, forever, you know what I'm talking about. Lisbeth Sandler returns in the second installment of the Millennium Trilogy, The Girl who Played with Fire, and even scarier Joan Rivers tells her story in Joan Rivers: A Piece of Work. Am I the only one who didn't realize Joan was the female Bob Saget?? (Youtube "Bob Saget half baked" at your own risk.) Even I blushed listening to some of her stuff, but it was still supremely funny. In honor of the fall movie issue and having that Harry Potter kid on the cover, I've culled reviews for both movies from Entertainment Weekly. Owen Gleiberman gave both of them better grades than I ever got in Chemistry while at college, scoring Dragon with a "B+" and Joan with an "A". An honor roll weekend!
But wait, there's more! We're bringing back the tattoos for people who buy concessions, and Lawren's getting in on the tattoo for a sellout action. We'll get matching dragon tattoos if there are four sellouts in the first weekend. So feel free to spread out your viewing of this film this weekend. After you see it, check out our blackboard for a trivia question to enter to win
THE GIRL WHO PLAYED WITH FIRE SWEDISH PRIZE PACK
which includes:
The Girl with the Dragon Tattoo - DVD The Girl who Played with Fire - Book Gift Certificate for a copy of The Girl who Kicked the Hornet's Nest from Barnhill's - www.onlyatbarnhills.com - 811 Burke Street Gift Certificate for a Swedish Massage from European Touch Day Spa in Reynolda Village - www.european-touch.com $25 Ikea Gift Card Swedish Fish!!! And maybe we'll throw in another surprise or two...
Get excited about the trailers!
When David Fincher reinvents these Girl movies (for people who don't like to read), make sure you're able to be extra snooty about it and tell everyone you saw the originals.
So our first special screenings of the soccer pick-up documentary, Pelada, begin tomorrow. It's only here for a limited time (Tuesday and Wednesday at 2pm and 8pm, and Thursday at 2pm) so don't miss the boat on this one. This has been a film that people see, then tell all their friends about, and then people are rushing to catch the last shows or miss it altogether. Since I care for you, I'm trying to get you to avoid that last part. Just make your plans and come see this film.
We were fortunate enough to get one of Pelada's directors/cinematographer, Rebekah Fergusson, to spend some time talking about the film, as well as some other random subjects. Rebekah played at Duke, which I tried not to hold against her until she brought Coach K into the conversation (I kid, but in order to defend this blog's Wake honor - I'm challenging you, Rebekah, to some foosball right now - if you're ever in Winston, you can find me popping the popcorn). Read on for some enlightening answers, and check out the trailer as well.
Give us an original synopsis of Pelada (ie, you have to come up with some way to describe it that hasn’t been used before):
Pelada is about two soccer players who have been heartbroken by the end of their playing careers who figure they can uncover one last adrenaline from the game, so they take off with soccer as their passport, in an effort to understand their relationship to the game and to explain the phenomenon of why people play around the world. Playing with prisoners, betting on games with moonshiners in Nairobi, uncovering games in the ghettos of Buenos Aires, chasing myths of Bolivian Mennonites and Chinese Monks. Their ability to play soccer affords them intimacy to all of these stories around the world, where the stakes are more raw than NCAA championships and pro contracts. For them it makes the game real again. But the story isn't just their process of realization, it's about the little moments around the world that do poetic justice to why this game is so prevalent. Moments like a Brazilian waiter carefully sliding a pinny over his head with a cigarette stuck in his mouth, kids with Kaka jerseys on clinging to the fence watching the adults take each other on, guys hurrying to the courts to get an hour of play in after 12 hours in the office, prisoners playing around the clock to stave off thoughts of running away, women playing in hijab in Iran while guys stop to watch--moments that happen around the game, but that reveal larger stories underneath.
Did you play in any of the pick-up games (off-camera) during the course of filming Pelada?
Every once in a while Ryan and I would get our moments of glory to jump into a few pick up games. In Mendoza, Argentina after a night of grilling every type of meat imaginable and drinking red wine with winemakers, the soccer ball came out at about midnight. We ended up playing in the pitch black vineyard, barely able to see our teammates and the goals. Ryan and I were getting egged on by all the guys who thought we were just camera people. I think a little bit of footage of this actually exists but I'm pretty sure we were all just specks in darkness....and as someone who definitely prefers to be behind the camera, I'm perfectly fine with that.
What are you favorite memories of the entire process of filming Pelada?
To actually get out and take a chunk of time to travel is one of the most amazing experiences. When I look back, it's things like renting a car and navigating our way out of Montevideo, Uruguay to beautiful countryside and spending a day with Gauchos in the middle of nowhere, standing over the Cape of Good Hope in South Africa, going on a hike to pick cherries in the Italian countryside, racing up different buildings in downtown Tokyo to find the best views of the city's rooftop courts. A lot of it is that....just being able to see all these different things in 3D, but a lot of it is meeting the people. Everywhere we went people were so generous to us. We'd end up invited somewhere after the games because it was incomprehensible to them to not take in these grungy travelers and give us some sort of sustenance, and trade stories. We'd share post game beers with the old guys in Brazil, caipirinhas with the guys on the beach after the hailstorm, brew up huge pots of rice and beans with all the guys from Mathare, drink warm Fanta and Coke with the prisoners in La Paz. I know it sounds a little bit cheesy but these moments reminded us that we were chasing the right story.
How did you all decide which countries and cities and neighborhoods to visit in the course of filming?
Deciding on countries was definitely a drawn out process. Everything was on the table in the beginning and slowly we would determine what we could afford, where we had friends and family that we might be able to stay with, and where we thought we could find really interesting stories. We wanted to have a combination of soccer superpowers like Brazil and Germany, but we also wanted to see places that weren't necessarily known for their football. As the film went on, I think it became really important for us to see the world...or as much of a cross section of it as we could. It became really important for us to see a place like Iran as well...a place that is so hotly contested, and negatively stereotyped in the American Media.
So you grew up in Charlotte right?Anything you miss about the Queen City and North Carolina?
It's tough being so far away from my family, and a lot of my friends so I try to get back as much as I can. When I do, I end up all over the state trying to soak it all in...hitting up favorite restaurants, getting some good BBQ, sitting on the front porch, catching up on ACC basketball, and watching an afternoon thunderstorm. I still have a room full of stuff at my mom's house in Charlotte so I think the door will stay open for a bit.
What has Pelada meant to you personally?
I think it's pretty hard to separate my life from Pelada at this point. What got me into documentary film in the first place was the idea of capturing the stories I was seeing around me (at that time mainly on the soccer field). My last year at school, I was working on a short film about soccer obsessed college players figuring out what to do with their lives once they graduated so filming Luke and Gwendolyn's story of soccer heartbreak/rebirth/discovery was a vicarious thing for me. At the same time, during that whole process of traveling and filming and editing, I really got taken in by a new passion of being behind the camera. It was an incredible, sometimes painful, learning process that cemented my love for documentary film. Like any other filmmaker, or writer, or artist, or athlete...it was something that we all sacrificed a lot for. The four of us lived and breathed the film, from traveling to a new country every week, shamelessly asking for money from our friends and families, dubbing tapes through the night in Iran to make sure we made it out with our footage, editing all day in our bedrooms on borrowed computers, to eating PB and Js and couch surfing in L.A. to save money. I feel really lucky to have gone through that process and have a film that we are all really proud of.
Do you still play in pickup games?
I moved to San Francisco about six months ago...and while I have been getting back into the Adult League scene, I haven't had a chance to find the good pick up games. Life has also gotten a lot busier, so finding the time has been hard. But I do vow to get back out there!
Left, right, or center on a penalty kick?High or low?
My dream PK was always a stutter step chip over the keeper slightly right of center as he dove left, but to be honest I'm not that great of a PK taker. It's sad but I buckle a bit under the pressure.
Greg Paulus played basketball at Duke, and American Football at Syracuse.Could he have hacked it as a soccer player?
That's a tough question, he probably would make a good defender. I think I'd rather go with Grant Hill, Kyle Singler, maybe even Shane Battier. I bet that Coack K could figure out a way to take a soccer team to a National Championship.
How do your soccer skills translate to foosball?
I can defend the goal in foosball pretty well, but I don't really have the snappy strongarm shot that whips across the whole table. But as with most bars games, I think I get a little bit better with a beer or two.
